Mikhail Bakhtin’s work on the dialogic, polyphonic, multivocal novel he claims
“is constructed not as a whole of a single consciousness, absorbing other consciousness as objects into itself, but as a whole formed by the interaction of several consciousnesses, none of which entirely becomes an object for the other.” With this kind of relatability, a sort of literary multitude of realities is formed through the means of hypermedia, reflecting the perception of action with inaction.